Wait 'til you've refined it

A controversial new production of Massenet's erotically-tinged opera Manon featuring "it girl" soprano Anna Netrebko opened last night in....

Oh, all right. Obviously that's not our Anna. In fact it's ecdysiast Dita Von Teese performing her signature "cocktail glass" strip. The model and performer (whose adorably mousy real name is Heather Sweet) has accepted an invitation to attend Vienna's prestigious Opera Ball later this month as the special guest Austrian businessman Richard Lugner. The 75-year-old real estate and construction mogul takes a celebrity to the glamorous gala every year.

Previous guests of "Mörtel" Lugner have included Joan Collins (1993), Ivana Trump (1994), Sophia Loren (1995), Grace Jones (1996), Sarah, Duchess of York (1997), Raquel Welch (1998), Faye Dunaway (1999), Jacqueline Bisset (2000), Farrah Fawcett (2001), Claudia Cardinale (2002), Pamela Anderson (2003), Andie MacDowell (2004), Geri Halliwell (2005), Carmen Electra (2006) and Paris Hilton (2007).

La Von Teese is known as a retro fashion muse and was briefly married to goth rocker Marilyn Manson.

Honestly insincere

[Via Likely Impossibilities]

Separated at death?

In related macabre news, (reportedly) gay tenor Sergej Larin died this weekend, and La Cieca has just heard an unconfirmed report that another gay tenor, Giuliano Ciannella, has also passed away.

Mozart is for little people!

In a startling example of casting against type, protean singer Cecilia Bartoli has agreed to take on the most demanding role of her career in La regina della meschina, an operatic version of the life of Leona Helmsley. ("Voice From the Past Becomes an Obsession" in the New York Times.)

Whatever happened to Katia Ricciarelli?

In fact, she became Peggy Lee.

Let's be buddies!

Graefin Geschwitz meets Vera Charles

The blonde leading the blind

Imagine La Cieca's delight when she heard that Julia Roberts has been cast in the starring role of Voce di Donna, a biopic based upon the whirlwind adventures of your very own doyenne.


Oscar-winner Roberts (left) beat out A-listers Nicole Kidman, Susan Sarandon and Dame Judi Dench to portray "Older Cieca." The character in more "youthful" days will be played by Zac Efron. Additional casting for the film includes George Clooney as "Gualtier Malde," Robert Downey Jr. as "Little Stevie" and Jonathan Rhys Meyers as "Maury D'annato."

Your pathetic, your loathsome, your despicable majesty!

Dame Kiri te Kanawa embraces her inner Alexis Morell Carrington Colby Dexter Rowan for this scene from the Handelian pastiche The Sorceress. Despite the film's 1993 release date, the sensibility is pure '80s: massive hair, voluminous frock, garish lighting design... and don't overlook the multitude of smirking supers! (Just so you know, the aria is "Ah, Ruggiero crudel... Ombre pallide" from Alcina).

Lord help the sister who comes between me and my man!

Not the newest observation, but perhaps relevant again at the moment. So, tell me, what do these two ladies have in common (besides the family resemblance, of course)? [UPDATE: I've traded out the original image of Joyce Castle for something more representative.]

Pop-top frocks

New York-based artist Nikos Floros has created an artistic tribute to La Divina herself from 20 thousand beer and soft drink cans for an art exhibition in Athens.

The exhibition includes a sculptural gown inspired by Maria Callas's costume for Iphigénie en Tauride featuring ring-pulls that become a lace-like collar. A kimono sculpture is inspired by Madama Butterfly.


"Today’s temples are supermarkets, malls and department stores," the artist says. "That's where you exist."

Over a period of five years, Floros purchased more than 200,000 aluminium cans of soft drinks and beer and turned them into large-scale sculptures dedicated to La Divina’s spirit, among other things.

"Opera Sculptured Costumes" is on display at the National Bank of Greece’s Melas Mansion through October 19.

Mama, don't let your babies grow up to be countertenors

Where is style? Where is skill? Where is forethought?

Yes, another YouTube posting, but this one is something very special indeed. Legendary Zarah Leander is seen in a few moments from her 1975 triumph as Madame Armfelt in Das Lächeln einer Sommernacht (A Little Night Music) at the Theater an der Wien. La Leander also cavorts about a studio, lipsynching a medley of her hits with Les Boys. Once she lights up the cigarette, doesn't she look exactly like Bette Davis doing a musical version of The Little Foxes?

Isn't it ironic?

BTW, this film is called La donna più bella del mondo, and it's very loosely suggested by certain events and characters in the life and legend of Lina Cavalieri. (In other words, it's utter and pure fiction.) But anyway, la Cavalieri is portrayed by Gina Lollbrigida, who certainly lives up to the title "The Most Beautiful Woman in the World."

It's not clear whether la Lollobrigida does her own singing in this movie. But here's an example of what the real Cavalieri sounded like. And here's more of Gina as Lina.

Das Traumboot

Bayreuth scion-apparent Katharina Wagner's production of Die Meistersinger opened yesterday at the Festspielhaus.


As you can see, this production is rather curiously cast with David Beckham as Walther and Aprile Millo as Eva.

Oh, well, all right, La Cieca must have her little joke, you know. The tenor is in fact Klaus Florian Vogt, whom many of you heard sing Lohengrin at the Met back in 2006, and, if this photo is anything like accurate, is indeed the "Traumboot" above referenced.


Now, be honest, cher public. If you saw this fellow approaching on a boat, would you even notice that it was drawn by a swan? No, La Cieca didn't think so.

Oh, and of course, that's not La Millo up there with the paint-spattered decolletage. More's the pity, La Cieca must say, because surely if it were Millo singing the soprano part in the quintet, it would be more nearly in tune than this snippet from the Generalprobe.

For those of you interested in Ms. Wagner's Konzept, here's a feature from German TV.

Tu che le vanita project

La Cieca must first of all express how startled she is that this particular item didn't appear first on NYC Opera Fanatic -- after all, Lana Turner as Elisabetta in Don Carlo? Well, in fact, Miss Turner never did sing any Verdi, on- or off-stage (unlike her precursor Joan Crawford), but my goodness, doesn't she just look the part?

It is only with slight disappointment that La Cieca notes that La Turner is not even pretending to be an opera singer here. It's a moment from the beginning of the 1969 film The Big Cube, portraying Lana's character, the celebrated stage actress Adriana Roman, performing one of her celebrated stage roles. (Now, that does seem like a missed opportunity, doesn't it? I mean, with a name like "Adriana Roman," why waste your time in legitimate theater?) Well, anyway, this little scena is only the beginning of a dramatic roller-coaster for Adriana/Lana. Before you know it, her stepdaughter's skuzzy gigolo boyfriend (George Chakiris) will be spiking poor Lana's sleeping pills with LSD in a sinister plot to drive the poor diva mad, mad I tell you.

Now, let's see if La Cieca can remember why she brought all this up just at this particular moment. Oh, yes, now she has it. The Big Cube has just been released on DVD in a boxed set (like Proust!) fetchingly entitled Cult Camp Classics 2 - Women in Peril. The collection also includes our Joan's theatrical swan song Trog and the echt women's prison movie Caged.

Which reminds La Cieca: did you realize that an operatic version of Caged could be cast easily with the singers from Dialogues des Carmélites? (Mignon Dunn as Warden Ruth Benton? Lucine Amara as Matron Evelyn Harper? Régine Crespin as "Vice Queen" Elvira Powell?)

I laughed for art, I laughed for love

"This writer approached the new off-Broadway play The Second Tosca with more than a bit of trepidation, worried that it might amount to no more than second-rate Terrance McNally or, even worse, unfunny inanity like Lend Me a Tenor. What a relief, then, it is to report that The Second Tosca is a delightful, campy, and sincere show, bitingly accurate in its take on opera and the crazy people who create it." Our publisher JJ moonlights as a drama critic in Gay City News.

Rachel deBenedet and Vivian Reed in The Second Tosca. (Photograph by Neilson Barnard.)

Shirley Dearest

A belated happy birthday to Shirley Verrett, who so far as La Cieca knows never appeared in such operatic rarities as Gianni Chitarra, La femmina sulla spiaggia or even Che fine ha fatto Baby Jane?

Had it not been for the allergies, though...

The Swenson solution

The Met isn't interested in you any more as a lyric-coloratura? Well, in that case, why not try transforming yourself into Marilyn Horne?